février 2008
how to sleeveface_the movies
ann summers_valentine’s gift
Agency: Nitro, London
Creative Director: Paul Shearer
Art Director: Matt Leach
Copywriter: Jess Oudot
Production Co: Bang/Great Guns, London
Director: Paul Shearer
Producer: Jeremy McWilliams
DoP: Ben Davis
Editor: Ted Guard at Quarry
Post House: MPC, London
kanye west_flashing lights
directed by Spike Jonze
Ripped idea from Eskimo Joe “Liars”
For those of you who aren’t feeling Kanye’s music video for Flashing Lights, this might change your mind. In Diamonds Are Forever, James Bond is taken out to the desert and left to die. The screencaps below look very familiar…
monster.com_stork
Agency: BBDO, New York
Chief Creative Officer: David Lubars
Executive Creative Director: Eric Silver
Art Director: Gerard Caputo
Writer: Reuben Hower
Sr. Agency Producer:Ed Zazzera
Sr. Agency Producer: Anthony Curti
Executive Music Producer: Loren Parkins
Production: Rattling Stick, London
Director: Daniel Kleinman
Producer: Johnnie Frankel
DP: Ben Davis
Editorial: Cut & Run
Editor: Steve Gandolfi
Post Producers: Susan Willis/Angela Hart
Assistant Editors: John Marinis/Chris Mckay
Visual Effects: Framestore, London
VFX Supervisor/Lead Compositor: William Bartlett
Vfx Producer: Helen Stanley
Cg Supervisor: Dan Seddon
Lead Technical Director: David Mellor
Lead Animator: Michael Mellor
Senior Animator: Dale Newton
Senior Animator: Nicklas Andersson
Telecine: Matt Turner
Music: Human, New York
Sound Design: Stimmung
Sound Designer: Gus Koven
Mix: Sound Lounge
Mixer: Tom Jucarone
kenneth bager_fragment 8
Record Label: Music For Dreams, Copenhagen
Production Company: QFilmproduktion, Hamburg
Director: Uwe Flade
Producer: Mark Entzelmann
DP: Christopher Haering.
Editor: Felix Drawe
Production Coordinator: Trung Le Kien
football federation australia_interactive fan
Voici un exemple sympa de street marketing réalisé par l’agence Lowe Sydney pour la Fédération Australienne de Football.L’agence a fait appel à des acteurs pour interpréter les différentes émotions par lesquelles peuvent passer le supporter de football. Les passants peuvent choisir entre différentes émotions, la joie, la passion, la tension, l’inquiétude, le désespoir et l’exaltation.
allan gray investment_beautiful
Agency: King James, Cape Town
ECD: Alistair King
CD: Devin Kennedy
Art director: Damian Bonse
Agency Producer: Caz Friedman
Production Company: Velocity Films, Cape Town
Director: Keith Rose
Producer: Karen Kloppers
Co-production company: Pioneer Productions, Argentina
Co-production company producer: Maio Garofali
DP: Keith Rose
Post production co: Deliverance
Editor: Ricky Boyd
Facility co: Waterfront Post
Visual Effects/animation co: Heino
Visual Effects/animation Supervisor: Bevil Swartz
Music co/composer/sound designer: Rob Schroeder
nokia_walk
Agency: Grey Worldwide
Executive Creative Director: Raymond Chan
Creative Directors: Dave Seah, Kirti Abraham
Agency Producer: Joelle Rabbaa
Production Company: Boomtown Productions, Dubai
Director: Hadi
Executive Producer: Shane Martin
Producer: Rita EL Hachem
DP: Trevor Brown
Editorial House: Intellvision
Editor: Omar Abbas
Music: Wonder Child
forgetfulness
View poetry in an entirely new and innovative way. Billy Collins, former US Poet Laureate and one of America’s best-selling poets, reads his poem “Forgetfulness” with animation by Julian Grey of Headgear.
Noted for their intelligent humor, accessibility and observations on daily life, Collins’ popular poems come alive further in a series of animated poems produced by JWT-NY.
- - - - - -
The Poem - The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones. Long ago you kissed the names of the nine Muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize the order of the planets, something else is slipping away, a state flower perhaps, the address of an uncle, the capital of Paraguay. Whatever it is you are struggling to remember, it is not poised on the tip of your tongue, not even lurking in some obscure corner of your spleen. It has floated away down a dark mythological river whose name begins with an L as far as you can recall, well on your own way to oblivion where you will join those who have even forgotten how to swim and how to ride a bicycle. No wonder you rise in the middle of the night to look up the date of a famous battle in a book on war. No wonder the moon in the window seems to have drifted out of a love poem that you used to know by heart.
Director: Julian Grey
Producer: Sue Riedl
Lead compositor: Julian Grey
Compositors: Philippe Blanchard, Jeff Jordan
Music / sound: Tom Third
Writer: Billy Collins
Agency: J Walter Thompson - New York
Client: Sundance Channel
adidas originals_adi dassler
Agency: 180, Amsterdam (180 /TBWA Alliance)
Executive Creative Directors: Richard Bullock, Andy Fackrell
Art Directors: Samuel Coleman, Dario Nucci
Copywriters: Samuel Coleman, Dario Nucci, Richard Bullock
Agency Executive Producer: Cedric Gairard
Agency Producer: Cat Reynolds
Production Company: Stink, London
Director: Martin Krejci
Executive Producer: Daniel Bergman
Producer: Molly Pope
DOP:Stepan Kucera
Production Designer: Marketa Korinkova
Editoral Company: Robota
Editor: Filip Malasek
Post Production Company: Glassworks, London
Colourist: Seamus O’Kane (The Mill)
Flame Artist: Duncan Horn
Post Production Supervisors: The Pool
Post Production Producers: Nickie Stevens, Rick Naudé
Sound Recording Studio: Grand Central, London
Sound Mixer: Raja Seghal
Music Company: Agoraphone, Soundsquare
Composers: Xavier Mosley / Viktor Erkt
Sound Designer: Raja Seghal
Animation Director: Michal Podhradsky